Puis nous sommes allés au Sud de la France [google translate, do me right…]

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The only things I knew about the South of France before I arrived I figure I must have picked up from questionable romantic comedies. Or Inglourious Basterds, I feel like there was some provincial Provence somewhere in that film. Maybe? [RIP Shosanna Dreyfus.] As was the theme thus far in France, I was unclear on what I was supposed to want to do in the South of France, but I know I certainly enjoyed saying, out loud, that I was summering in the South of France. What else did I really need to know?

I had heard a lot of things about Provence. Mostly to do with food, lavender, wine, and sunflowers. I think I also had some illusions about dreamy, mysterious, older gentlemen who might wander out of quaint cafés or mysterious corners bearing flowers or wine or something, while romantic music emanates from some equally mysterious location.

Some of these preconceived notions were spot on.

We left Paris by train headed to Nimês, where we would rent a car to drive to Uzès, a small town near Avignon where Frenchie’s dad lives when he is in France. It was hot, and stunningly beautiful as we moved through the countryside to our first destination. There is something viscerally exciting when, before your eyes, preconceived notions become realities. It is a strangely satisfying combination of surprise, validation and joy.

Arriving in Nimês, we found the car agency and took a bit of time to work out exactly what was going on. Initially I had not been entirely on board with a couple of the decisions – like renting a car – did we really need one? [Yes.] Or did we want to see a concert at the Arena de Nimês even if it was not going to be Lionel Richie? [Hello, yes, although initially no-yes-no-yes.] In keeping with the trend, Frenchie knew best and I was finally learning to keep my mouth shut about it. We would get a car, drop our stuff in it, and head out to see the village of Nimês for crème glacés, tickets, shopping, walking.

And so we did.

Nimês was lovely, and hot. I remember being really impressed initially, but looking back on it after seeing Uzès, it was a little less special, perspective being what it is. It was a lovely intro, at the very least, and the Arena… well, we will get to that.

On returning to the car we were grateful for the shade of the subterranean garage. So grateful apparently that the powers that be allowed us to be there for far longer than we anticipated. In our (occasional) fiscal and (regular) regional pragmatism we opted to have only one driver on the car: Frenchie. And I was excited to see how this would go. But it appeared that we were not going. To be fair, I have not had a car since I sold mine – or rather #4 did, for far less than he should have – when I moved to Asia, and cars have become far more… automated. It is amusing to me how in simplifying things, car makers have made the vehicles so much more mysterious. Add to this that Frenchie is a committed luddite and an indefatigable anachronist, and we were nearly in a Mr. Bean sketch. There was an informative (though French) LED display that kept saying to engage the clutch. I am not sure how I suddenly understood French when I could barely recall how to say you’re welcome after several weeks dans le pays, but suddenly I could. So I kept saying “Put the clutch in.” And Frenchie kept saying, “What is this clutch?” And I would tell her and she would look at me like I was crazy. This went on for quite some time. At one point we were even considering going back upstairs to tell them we had a defective car.

And the shade of the garage was no longer keeping these four ladies cool.

I asked could I just try once, so we switched seats.

And the car started.

I believe we are now  all clear on how to say, and effectively demonstrate, clutch multilingually.

More to the point we now had air con and were en route to what lay ahead: Uzès.

The drive was beautiful and the approach to the village stunning. But we were completely unprepared for what was really in store. I now understand so much more clearly Frenchie’s love for all that is old and gone – I have always been curious, almost perplexed, by her love for the past. She has described it as a love for the lost innocence of people and places. I have felt more that it was a strange resistance to see the world – for better or for worse – as it is. In some cases I even felt like, and tried unsuccessfully to communicate, that her love for days gone by in places is at best limiting to these places as she insists they not progress in any way for the benefit of maintaining an image of something she wants to hold, rather than a reality she should be able to see. At worst it feels repressive and imperialistic. I know that this is not at all how she feels it or means it and that she would tell me I am up to my tricks of over thinking. This may be true. Either way she is my own Adriana, the one who will always long for some illusive Golden Age.

But walking through the gate (yes, gate) on the narrow, cobbled streets, we were transported.

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I knew I was going to enjoy my time here, in a quaint experiential way. But when I turned to look at Nic I saw something different: she was home. I had never seen someone look so perfectly in situ. She belongs in the South of France… if not now, or forever, definitely right then, Nickie was home.

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After dropping off our things and appreciating the wonderfully familiar home of a person who you’ve never met but in knowing his familiars you know him anyhow, we went out. We wandered around a few of the streets to the place du village. We chose a small taverna and sat down for appetizers and rosé. And there we were: a group of people, sometimes friends, sometimes foes, sometimes family, sometimes allies, sometimes travelers, always simpatico: especially in the moments when we were not so sure.

Over wine and bread and wine and olives and wine we considered if people always have choices or sometimes they don’t. We talked about men in Australia and America and Hong Kong. We talked about the recurring narrative that we could not really believe that we were here in this place, at this time.

There were perfect dark corners and music emanating from them… no mystery men… but it was early.

For the next few days we explored various aspects of this part of Provence. We got a wonderful tip on a restaurant from two women who had been sitting next to us at the taverna, La Table 2 Julien, for which we booked a table later in the week, there were villages of ceramics, open air markets, an arts festival in Avignon, the aqueduct, the Tower of Uzès… the list had the potential to go on and on. And not to be forgotten was the lovely home we had at our disposal.

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I think the myriad options gave rise to the more obvious differences in our various objectives. It would be the first time – to my knowledge (save for the regular disparagement for being American) – that these differences began to be a little prickly and sting as it were. (As I have said before, group work can be a struggle in the best of times.) The result of this was a bit more alone time, or tandem time, which was good for all of us, and required that we make our needs clear, which is another good practice.

I was not giving up the Pont du Gard, nor the ancient garden and tower of Uzès. And food, I wanted all the food, though truth be told I didn’t really want to figure it out in terms of restaurants and meals, I just wanted to eat it. As for road tripping and shopping, I felt like there was enough in our vicinity, but was reminded that I didn’t really know what was in our vicinity, which was an undeniable truth. Still, I was not really excited for hours in the car to spend moments in towns I was not sure I could actually see. But for the potential of greatness (positive spin on F.O.M.O.) we went.

Our day to Avignon was important because my young real estate magnate (aka Frenchie) is looking there for her next purchase, but also because of the Festival d’Avignon, self-proclaimed as “one of the most important contemporary performing arts events in the world.” I think it was impressive, I mean I know it was, it was just all in French. So we eventually went to a dance production. I was far more interested in the history of Avignon, it was the home to the Popes for years and there was a big old Palais des Papes, which I wanted to climb.

I did not get to climb this palace. We did however witness a mad conflict between a bunch of French officials who were trying to oversee a memorial for Jewish soldiers who had died in WWII at the same time that a visiting troupe of Korean drummers and dancers was kicking off in the plaza directly adjacent to and below the memorial. There was a lot of unscripted whistle blowing. It reminded me quite a bit of this for some reason.

Avignon is a walled city along the Rhône River with an interesting and complicated history. While it maintains much of this feel, during the festival it is like one giant billboard.

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Following the show we had a walk and lunch and then I took the liberty to scramble across town in search of a particular show poster that I had been unable to pull from the walls (there were so many posters but the one I wanted of course cost €5.) But this run gave me the chance to see the ramparts and the walls – as you know I do love a walled city.

The city was gorgeous and another one of those places that really takes you back, with winding streets and narrow buildings with the colored window shutters on muted terra-cotta colored buildings. I tried to picture myself living there as we considered different areas where Frenchie might find herself. Every time, as with Uzès, I thought it was lovely and sweet, and positively unlivable. I am just not cut out for the provincial, I guess.

Leaving Avignon we were en route to L’Isle-sur-la-Sorgue. This town rates incredibly low on my Fabulous French Review. I would like to say this is because with limited time the parts we saw were totally uncharming… so strange for the part of the world that seems to have a lock on charm… and it was unbearably hot. And we were going the opposite way from Uzès so I was confused. The saving grace was that after a quick stop we drove on to Gordes, a place I would have loved to check out further but it was not to be.

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Someday I will go back to Gordes with one of those mythical mystery men – out the shadows or not.

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Our remaining time in and around Uzès accommodated almost all of our needs in different ways. We went to the Pont du Gard, and it was as fantastic as I could have imagined as we were able to walk through the actual aqueduct. Well, some of us were… somehow one of our tickets had been misplaced and in a strangely non-provincial way, the woman who had sold the ticket suddenly claimed she had no recollection of such and event and she would not let Frenchie through. Nic and I were unaware of this until we had gone through the entire aqueduct and sat wondering how we had lost our friend in a one way tunnel. I was a disappointment, though I am not sure if Frenchie was more disappointed in not going through the aqueduct or in the behavior she declared decidedly UN-French from the guide. The day itself was so stunning, it made up (almost) for this mishap.

The Pont du Gard is: an ancient Roman aqueduct that crosses the Gardon River in the south of France. Located near the town of Vers-Pont-du-Gard, the bridge is part of the Nîmes aqueduct, a 50-kilometer system built in the first century AD to carry water from a spring at Uzès to the Roman colony of Nemausus (Nîmes) Because of the uneven terrain between the two points, the mostly underground aqueduct followed a long, winding route that called for a bridge across the gorge of the Gardon River. The Pont du Gard is the highest of all elevated Roman aqueducts, and, along with the Aqueduct of Segovia, one of the best preserved. It was added to UNESCO‘s list of World Heritage Sites in 1985 because of its historical importance. (wiki FTW)

And basically I just wanted to walk around saying: What have the Romans ever done for us? [“The aqueduct?”]

It was one of the coolest things I have seen. Along with the mural of world heritage sites that listed French gastronomy as one of them. Oh France.

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In our last full day I was able to explore the medieval garden of Uzès which is between the ancient King’s Tower and Bishop’s Tower – formerly used as a prison among other things. This tower I got to climb.

After spending a little bit of time by myself in the medieval garden and exploring the King’s prison and the Bishop’s tower I headed back to our flat. For our last night all together in the south of France we would be driving to Nimes to see Sting perform at the ancient Arenes de Nimes. The drive was easy and the parking was fortuitous. If only choosing an outfit would have been so easy.

We stopped for a light dinner beforehand, although by this time I had waited too long and was crabby from hunger and nitpicking. This is the thing about being in a group: sometimes little things go unnoticed and sometimes they don’t and sometimes they just build up. It is usually in these situations I find that the inconsequential breaks the levee and emotions are misdirected and further misinterpreted. For public consumption, I’ll just say, the one person who I snapped at was not the one I meant to… And I needed a time out.

Or champagne. Champagne is generally a good alternative.

There is no mood that the Arenes de Nimês could not conquer, which for the setting seems completely appropriate.

Built in the year 70 (C.E.) for gladiator combats, animal slayings and executions it was fortified and held by the Visigoths after the fall of the Roman Empire. By the 700s it enclosed a fortified palace and eventually a small neighborhood was established within the amphitheater; home to around 700 people. In 1863 it was remodelled to serve as a bullring and today it is still used for this (gross) practice as well as lots of other public events. It is 130 m. by 100 m. and can seat 16,300. And it has sections still called the vomitoires. Which is obviously awesome. [These are the seats adjacent to the lower level tunnels that facilitate the exits.]

When we arrived the setting was simply breathtaking and this was before we even saw Sting (although, the hipster beard he is now sporting is less breathtaking… but he’s still totally hot. It’s the yoga, I know it.) The show was great, the crowd was entertaining, the weather was perfect. It was a lovely last night in Provence.

The next morning we woke up knowing that we would be heading out our separate ways. Nic and her sister were off to Bruges, Frenchie and I to Spain by way of Marseille. I got up early to walk around the village one last time and bid adieu to Uzès.

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On my return we were readying to go and people were packed, the house reassembled, and we were off.

Except the keys to the house were missing.

Like, totally gone.

Although there were some mild time constraints – more for us than for Nic and Sam who would be spending the night in Nimês – we basically had time. And how hard could it be to find a set of keys?

Suddenly we were looking everywhere. In packed luggage. In garbage. Under furniture. In the toilet.

No keys.

Of course, it was hard not to look to Frenchie who, without intentionally casting aspersions, I might suggest has had some struggles around losing misplacing items. Everybody was verklempt.

Still, no keys.

Until… there they were. On the kitchen table. Albeit, under the tablecloth, but they were there. It was relief incomparable to much I could think of save for having to pee so bad you think you might die and then finding a bathroom. And not dying.

So we were off. Back to Nimês to share a tearful goodbye with our friends and then to the train for Marseille. There was much to unpack – emotionally and experimentally. We had seen so much of Provence and seen how differently people see the same things. There were moments that were challenging and others delicious and still others that were transformative, and some that simply eliminated the need for words.

I suspect those are precisely the sentiments that define travel.

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One thought on “Puis nous sommes allés au Sud de la France [google translate, do me right…]

  1. J’aime beaucoup!
    I feel like a special character in a roman… And seeing my country ( and our trip ) through your eyes is priceless!

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